|本期目录/Table of Contents|

[1]徐 璐.成境为心 ——藏传佛教心性说与审美心理探索[J].绵阳师范学院学报,2015,(03):29-33.
 XU Lu.Mentality Domination Circumstance ——From Tibetan Buddhism's Mind Nature Theory to Aesthetic Psychology[J].Journal of Mianyang Normal University,2015,(03):29-33.
点击复制

成境为心 ——藏传佛教心性说与审美心理探索(PDF)
分享到:

《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2015年03期
页码:
29-33
栏目:
美学研究
出版日期:
2015-03-15

文章信息/Info

Title:
Mentality Domination Circumstance ——From Tibetan Buddhism's Mind Nature Theory to Aesthetic Psychology
文章编号:
1672-612x(2015)03-0029-05
作者:
徐 璐
武汉大学哲学学院,湖北武汉 430072
Author(s):
XU Lu
School of Philosophy, Wuhan University,Wuhan, Hubei 430072
关键词:
藏传佛教 成境为心 审美心理
Keywords:
Tibetan Buddhism mentality circumstance mentality domination circumstance aesthetic psychology
分类号:
B83-05
DOI:
-
文献标志码:
A
摘要:
藏传佛教萨迦派密教命题“成境为心”, 不仅是一个佛教命题,也是一个与我国古典美学思想有亲密关系的命题。它源于唯识宗,本质上是一种人心内证的修持过程,旨在强调“境”的生成是由于“心”,万物皆存于“心”,除“心”之外再无实有外境,人应修一颗明空双运的心以达到生死涅槃的无别之见。探索一条从藏传佛教心性学说到审美心理理论的思想道路,既有其优势,也有其不可避免的缺陷。它反映了一种以主体为本源、夸大了主体作用、完全忽略了客体作用的审美心理。这种审美心理在美学理论研究中具有非常重要的地位。
Abstract:
Mentality Domination Circumstance is not only the concept of Sakya of Tibetan Buddhism but also the concept of Chinese aesthetic psychology. It was born of Weishizong(Vijnanavada). It is a training process of understanding people's own heart. Circumstance is dominated by mentality. If there is no mentality, there will be no circumstance. Humanbeing should have a bright and free heart and then get rid of prejudice of life and death. There are many values and shortcomings during exploring a way of thinking from Tibetan Buddhism's Mind Nature Theory to aesthetic psychology. It is an aesthetic psychology which lets the subject be its origin, overstates the effect of subject and ignores the effect. This kind of aesthetic psychology plays an important role in research of aesthetic theory.

参考文献/References:

[1] 任继愈.宗教大辞典[M].上海:上海辞书出版社,1998.
[2] 班班多杰.藏传佛教哲学境界[M].西宁:青海人民出版社,1996.
[3] 许慎撰,徐铉校订.说文解字[M].北京:中华书局,1963.
[4] 任继愈.佛教大辞典[M].南京:江苏古籍出版社,2002.
[5] 蒋述卓.佛教与中国古典文艺美学[M].长沙:岳麓书社,2008.
[6] 朱立元.美学大辞典[M].上海:上海辞书出版社,2010.
[7] 尕藏加.雪域的宗教[M].北京:宗教文学出版社,2003.
[8] 邱明正.审美心理学[M].上海:复旦大学出版社,1993.

相似文献/References:

[1]杨建容.藏传佛教文化的导游讲解艺术[J].绵阳师范学院学报,2011,(04):53.[doi:10.16276/j.cnki.cn51-1670/g.2011.04.033]
[2]周春雨.宗炳佛学形神思想与山水画理论的建构[J].绵阳师范学院学报,2019,(07):10.[doi:10.16276/j.cnki.cn51-1670/g.2019.07.003]
 ZHOU Chunyu.The Form and Spirit Thought of Zong Bing's Buddhism and the Construction of His Landscape Painting Theory[J].Journal of Mianyang Normal University,2019,(03):10.[doi:10.16276/j.cnki.cn51-1670/g.2019.07.003]

备注/Memo

备注/Memo:
作者简介:徐璐(1987- ),女,湖北武汉人,博士研究生。研究方向:中国古典美学及文艺美学。
更新日期/Last Update: 2015-03-15