|本期目录/Table of Contents|

[1]崔青青.《周南》、《召南》的美学特征与地域关系[J].绵阳师范学院学报,2015,(03):46-49.
 CUI Qing-qing.On Aesthetic Feature of Two-South and Its Relation to Regional Culture[J].Journal of Mianyang Normal University,2015,(03):46-49.
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《周南》、《召南》的美学特征与地域关系(PDF)
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2015年03期
页码:
46-49
栏目:
美学研究
出版日期:
2015-03-15

文章信息/Info

Title:
On Aesthetic Feature of Two-South and Its Relation to Regional Culture
文章编号:
1672-612x(2015)03-0046-04
作者:
崔青青
四川师范大学,四川成都 610068
Author(s):
CUI Qing-qing
School of Arts, Sichuan Normal University, Chengdu, Sichuan 610068
关键词:
“二南” 地域文化 美学特征
Keywords:
Two-South regional culture aesthetic features
分类号:
I01
DOI:
-
文献标志码:
A
摘要:
“二南”作为孔子整理的《诗经》之首,其本为《诗经》“国风”中的楚风,但是由于孔子的政治立场,名之为《周南》、《召南》,但鉴于其艺术感染力,故而将其列为《诗经》之首。“二南”的美学特征正是楚文化的体现,楚文化的形成与当时的宗教有极大关系,故形成了异于北方“崇高”之风的飘逸之美。
Abstract:
The Two-South, as the first section in Book of Songs, which was arranged by Confucius, has been the Chu Feng(a unique writing style of the Spring and Autumn period in China). Owing to their moving artistic influence, Confucius named them Zhou Nan, and Shao Nan, and listed them as the first section of Book of Songs. In fact, the aesthetic feature of the Two-South was the concentrated expression of the Chu culture which was formed and developed in the south of China. Besides, this Chu culture, having a close relationship with religion, developed the "Drifting Aloof " which is quite distinct from the "Sublime" style in the North.

参考文献/References:

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备注/Memo

备注/Memo:
作者简介:崔青青(1992- )男,汉族,山西长治人,硕士研究生。研究方向:中国美学。
更新日期/Last Update: 2015-03-15