|本期目录/Table of Contents|

[1]朱艳杰.川北“王皮影”的艺术[J].绵阳师范学院学报,2015,(06):143-147.
 ZHU Yan-jie.Shadow Play in Northern Sichuan[J].Journal of Mianyang Normal University,2015,(06):143-147.
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川北“王皮影”的艺术(PDF)
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2015年06期
页码:
143-147
栏目:
艺术研究
出版日期:
2015-06-15

文章信息/Info

Title:
Shadow Play in Northern Sichuan
文章编号:
1672-612x(2015)06-0143-05
作者:
朱艳杰
都江堰市文物局,四川都江堰 611830
Author(s):
ZHU Yan-jie
Dujiangyan Bureau of Cultural Relics, Dujiangyan, Sichuan 611830
关键词:
川北 王皮影 艺术
Keywords:
northern Sichuan Wang Shadow arts
分类号:
J64
DOI:
-
文献标志码:
A
摘要:
外来文化的强势入侵,使中国的传统文化、民间艺术地位岌岌可危,然而在全国各地皮影戏整体衰落,有的地方皮影戏甚至消失的情况下,川北“王皮影”这一门曾经濒危的民间艺术却焕发新姿,成为阆中市文化旅游的一道独特风景线。究其原因,除了拥有高超的雕刻技艺和精湛的表演技巧外,在造型、色彩、剧本、唱腔等创作环节中所蕴含的独特风情民俗意味和敢于大胆革新的精神也是其艺术生命得以维持的关键。本文是在搜集资料文献的基础上,结合对“王皮影”传承人的访谈资料对川北“王皮影”的艺术特性做出的尝试性探析,以期能对川北皮影戏的保护和传承工作有所裨益。
Abstract:
The Chinese traditional culture, folk art status have been placed in jeopardy owing to the strong invasion of foreign cultures. Throughout the overall declination of shadow play, some local shadow has even been under the condition of disappearance. However, Wang Shadow,the shadow play in northern Sichuan, coruscating its new posture, has become a unique scenery in Langzhong, Sichuan Province. As for its reasons, apart from having some superb carving and acting techniques, its unique folk customs and bold innovation spirit form the key to sustainability, such as, model, color, drama and music for voices. This paper, on the basis of collecting information literature, combining with the interview of the successors of Wang Shadow, summarizes its artistic characteristics, expecting to offer some help for its protection and heritage.

参考文献/References:

[1] 南充地区文化局.川北皮影戏[M].成都:四川文艺出版社,1989.
[2] 王应舜.川北皮影戏鬼戏的思想性艺术性初探[J].四川戏剧,1993(2):26-27.
[3] 王娜.川北皮影戏的传承与现代动画片相结合的研究[J].理论观察,2013(12):95-97.

相似文献/References:

备注/Memo

备注/Memo:
作者简介:朱艳杰(1985- ),女,河南周口人,硕士,助理馆员。研究方向:区域文化史。
更新日期/Last Update: 2015-06-15