|本期目录/Table of Contents|

[1]刘晓萍,卢贵礼.主叙事的质疑过程:后现代主义的“戏仿”策略——从琳达·哈琴的观点出发[J].绵阳师范学院学报,2019,(12):90-95.[doi:10.16276/j.cnki.cn51-1670/g.2019.12.017
]

 LIU Xiaoping,LU Guili.The Questioning Process of the Main Narrative: the "Parody" Strategy of Postmodernism:From the Viewpoint of Linda Hutcheon[J].Journal of Mianyang Normal University,2019,(12):90-95.[doi:10.16276/j.cnki.cn51-1670/g.2019.12.017
]
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主叙事的质疑过程:后现代主义的“戏仿”策略——从琳达·哈琴的观点出发(PDF)
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2019年12期
页码:
90-95
栏目:
文艺学
出版日期:
2019-12-20

文章信息/Info

Title:
The Questioning Process of the Main Narrative: the "Parody" Strategy of Postmodernism:From the Viewpoint of Linda Hutcheon
文章编号:
1672-612X(2019)12-0090-06
作者:
刘晓萍1卢贵礼2
1.成都大学中国-东盟艺术学院,四川成都 610106; 2.眉山职业技术学院,四川眉山 620020
Author(s):
LIU Xiaoping1 LU Guili2
1.Arts College of China-ASEAN, Chengdu University, Chengdu, Sichuan 610106; 2. Meishan Vocational and Technical College, Meishan, Sichuan 620020
关键词:
戏仿 后现代 话语理论 主体 琳达·哈琴
Keywords:
parody postmodern discourse theory subject Linda Hutcheon
分类号:
I0-03
DOI:
10.16276/j.cnki.cn51-1670/g.2019.12.017
文献标志码:
A
摘要:
“戏仿”从西方传统文学技巧到当代艺术中的文化策略,其本身的概念内涵随着历史语境的变化而产生了流变。琳达·哈琴在对“戏仿”概念进行词源学和政治学的考察后,结合后现代主义语境对其进行了重新定义。琳达·哈琴将“戏仿”置入话语系统和“编码-解码”过程,分析语境对编码考与解码者意图的意义,从而更有利于将文本之外的因素引入解码过程,以丰富文本话语的意义。在解码过程中,“戏仿”通过“双重文本”的引入显示差异,消解主体,是对主叙事进行质疑的过程
Abstract:
From the traditional western literary skills to the cultural strategies in contemporary art, the concept and connotation of parody has changed with the change of historical context. After investigating the etymology and political science of parody, Hutcheon redefined it in the context of postmodernism. She put "parody" into the discourse system and the process of "encoding and decoding", and analyzed the meaning of context to the encoding test and decoder's intention, so as to introduce factors beyond the text into the decoding process and enrich the meaning of text discourse. In the decoding process, "parody" shows the differences through the introduction of "double text" and resolves the subject, which is a process of questioning the main narrative.

参考文献/References:

[1] 琳达·哈琴.后现代主义诗学:历史、理论、小说[M].李扬,李锋,译.南京:南京大学出版社,2009.
[2] QUINTILIAN. Institutio Oratoria[M].London:London and Cambridge, Mass., 1960.
[3] JOHNSON S. A Dictionary of the English Language[M].W.Strahan,1755.
[4] HUTCHEON L.A Theory of Parody: the Teachings of Twentieth-century Art Forms[M].New York and London: Methuen, 1985.
[5] STEWART S.Nonsense: Aspects of Intertextuality in Folklore and Literature[M].Baltimore, Md: Johns Hopkins Unversity Press, 1978.
[6] 詹明信.晚期资本主义的文化逻辑[C]//张旭东.晚期资本主义的文化逻辑:杰姆逊批评理论文选.陈清侨,等译.北京:生活·读书·新知三联书店,1997.
[7] JOSEPH A, DANE. Parody and Satire: A Theoretical Model[J].Genre,1980(2):13-45.
[8] FRYE N. The Anatomy of Criticism[M].New York: Atheneum, 1970.
[9] KIREMIDJIAN G D. The Aesthetics of Parody[J].Journal of Aesthetics and Art Criticism, 1969(28):231-242.
[10] 琳达·哈切恩.加拿大后现代主义:加拿大现代英语小说研究[M].赵伐,郭昌瑜,译.重庆:重庆出版社,1994.
[11] REISS T. The Discourse of Modernism[M].Ithaca, NY: Cornell University Press,1982.
[12] FOUCAULT M. The Archaeology of Knowledge[M].London:Tavistock; New York: Pantheon,1972.

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备注/Memo

备注/Memo:
收稿日期:2019-08-29
基金项目:2017年度国家社科基金一般项目“汉语句子里表达话语转述的语法形式研究 ”(17BYY144)、2019年湖南省研究生科研创新项目“汉语泛义动词的语义图构建研究”(CX20190360)。
第一作者简介:刘晓萍(1981- ),女,四川眉山人,副教授,博士,硕士生导师,研究方向:文艺美学、影视美学。
更新日期/Last Update: 2019-12-20