|本期目录/Table of Contents|

[1]王 飒.论《陆犯焉识》电影改编中的素材处理[J].绵阳师范学院学报,2018,(06):125-129.[doi:10.16276/j.cnki.cn51-1670/g.2018.06.022]
 WANG Sa.Material Processing in Film Adaptation of Criminal Lu Yanshi[J].Journal of Mianyang Normal University,2018,(06):125-129.[doi:10.16276/j.cnki.cn51-1670/g.2018.06.022]
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2018年06期
页码:
125-129
栏目:
艺术研究
出版日期:
2018-06-15

文章信息/Info

Title:
Material Processing in Film Adaptation of Criminal Lu Yanshi
文章编号:
1672-612X(2018)06-0125-05
作者:
王 飒
阜阳师范学院文学院,安徽阜阳 236037
Author(s):
WANG Sa
School of Liturerature, Fuyang Normal College, Fuyang, Anhui 236037
关键词:
《归来》 张艺谋 伤痕 电影语言
Keywords:
Coming Home Zhang Yimou scars film language
分类号:
J904
DOI:
10.16276/j.cnki.cn51-1670/g.2018.06.022
文献标志码:
A
摘要:
由严歌苓的小说《陆犯焉识》改编成的电影《归来》,是严歌苓和张艺谋在《金陵十三钗》之后又一次合作。与《金陵十三钗》中篇小说的篇幅相比,《陆犯焉识》长达三十四万字,这也在一定程度上说明了《陆犯焉识》涵盖了更丰富的内容。张艺谋在小说的基础上进行再创作,围绕电影创作过程中确定的核心编织小说素材,为放大电影的艺术效果服务,素材的处理便成了改编过程中第一个要考虑的问题。
Abstract:
Coming Home is a movie that is directed by Zhang Yimou and adapted from Yan Geling's novel Criminal Lu Yanshi, another cooperation between Yan and Zhang after their 13 Flowers of Nanjing. Compared with the novelette 13 Flowers of Nanjing, the novel Criminal Lu Yanshi is as long as 340 thousand Chinese character that to some degree grants it more profound content. Based on this novel, Zhang adapted it centering on the core of his film. To realize the best artistic effect of his film, Zhang naturally puts his emphasis on material processing in his adaption.

参考文献/References:

[1] 梁振华.影像奇观与文学魔杖:论张艺谋电影的文学化想象[J].北京社会科学,2009(6):49-56.
[2] 张艺谋,叶坦.电影是感情性的东西,与张艺谋谈话[J].电影艺术,1998(3):51-58.
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[4] 潘采夫.期待大众对《归来》的解读[N].新京报,2014-05-16(c2).
[5] 严歌苓.陆犯焉识[M].北京:作家出版社,2011.
[6] 陈嬿文.从文学语言到电影语言的矛与盾:以张艺谋电影《归来》为例[J].艺术百家,2014(5):255-256.
[7] 刘达.4K数字电影发展与启示[J].现代电视技术,2011(9):136-139.
[8] 戴维·钱尼.文化转向[M].南京:江苏人民出版社,2004.

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备注/Memo

备注/Memo:
收稿日期:2018-04-12
作者简介:王飒(1994- ),女,河南商丘人,硕士研究生,研究方向:文学理论。
更新日期/Last Update: 2018-06-15