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[1]杨广红,王永虎.当代艺术语境下新徽派版画的传承与创新[J].绵阳师范学院学报,2018,(06):145-149.[doi:10.16276/j.cnki.cn51-1670/g.2018.06.026]
 YANG Guanghong,WANG Yonghu.Research on the Inheritance and Innovation of New Huizhou Prints in the Context of Contemporary Art[J].Journal of Mianyang Normal University,2018,(06):145-149.[doi:10.16276/j.cnki.cn51-1670/g.2018.06.026]
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当代艺术语境下新徽派版画的传承与创新(PDF)
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2018年06期
页码:
145-149
栏目:
艺术研究
出版日期:
2018-06-15

文章信息/Info

Title:
Research on the Inheritance and Innovation of New Huizhou Prints in the Context of Contemporary Art
文章编号:
1672-612X(2018)06-0145-05
作者:
杨广红王永虎
巢湖学院艺术学院,安徽合肥 238000
Author(s):
YANG GuanghongWANG Yonghu
School of Arts, Chaohu College, Hefei, Anhui 238000
关键词:
当代语境 新徽派版画 创新
Keywords:
contemporary artistic context new emblem prints inheritance and innovation
分类号:
J20
DOI:
10.16276/j.cnki.cn51-1670/g.2018.06.026
文献标志码:
A
摘要:
在分析当代艺术语境背景下,新徽派版画的现状、艺术特点及发展面临的问题和不足的基础上,对当代艺术语境下新徽派版画的传承方法与创新途径方面进行了探讨,提出了从新徽派版画艺术语言的拓展与延伸、艺术语言的提炼与重构、新徽派版画艺术与当代社会文化审美需求相契合等方面的创新观点和策略,旨在重新确立新徽派版画艺术的发展价值,增强市场竞争力,最终实现新徽派版画艺术的传承与创新,并为其它传统文化艺术的继承发展提供参考依据。
Abstract:
Under the background of contemporary art context, the research of the New Emblem printmaking should be devoted to discussing and solving the problems of inheritance and innovation. The full understanding of the present situation, artistic characteristics and problems of the New Emblem printmaking is the premise of solving the problems. The study on the extraction and reconstruction of the art language of Neo-Hui-style printmaking can optimize the language form of Neo-Hui-style printmaking and express the contemporary aesthetic ideal more freely. According to the aesthetic needs of modern print art and the characteristics of creation, the focus of the new hui-style print art is to create according to the characteristics of modern print art. On the basis of inheriting and carrying forward the tradition, the New Hui-style printmaking needs to continuously absorb the special skills of the foreign culture, reconstruct the noumenon expression language and promote the contemporary works

参考文献/References:

[1] 孙晓霞.艺术语境研究[M].北京:中国社会科学出版社,2013.
[2] 张国琳.中国版画急需本土营养[N].美术报,2014-02-25(9).
[3] 李健锋.天开宏图启文运铁笔妙锲华章:“黄山魂”新徽派版画创作与安徽版画艺术的第三次历史跨越[N].美术报,2007-12-19(12).
[4] 居蜜.明清时期徽州的刻书与版画[J].江淮论坛,1995(4):45-48.
[5] 齐风阁.论版画的现代性[J].文艺研究,1999(6):33-46.
[6] 徐恒醇.设计美学[M].北京: 清华大学出版社,2009.
[7] 张国琳.师松龄的新“新徽派版画”[J].美术,2003(8):65-81.

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备注/Memo

备注/Memo:
收稿日期:2018-04-12
基金项目:安徽省人文社科重点项目“当代语境下新徽派版画的传承与创新研究”(SK2018A0492)。
作者介绍:杨广红(1980-)女,陕西咸阳人,讲师,硕士,研究方向:版画艺术。
王永虎(1978-)男,甘肃金昌人,副教授,硕士,研究方向:视觉传达。
更新日期/Last Update: 2018-06-15