|本期目录/Table of Contents|

[1]杜 鹃,石晶晶.萧伯纳“政治狂想剧”的拉康主体理论解读[J].绵阳师范学院学报,2019,(07):95-99.[doi:10.16276/j.cnki.cn51-1670/g.2019.07.019]
 DU Juan,SHI Jingjing.Research on Lacan's Theory of Subject Presented in Bernard Shaw's Political Extravaganza[J].Journal of Mianyang Normal University,2019,(07):95-99.[doi:10.16276/j.cnki.cn51-1670/g.2019.07.019]
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萧伯纳“政治狂想剧”的拉康主体理论解读(PDF)
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2019年07期
页码:
95-99
栏目:
外国文学
出版日期:
2019-07-20

文章信息/Info

Title:
Research on Lacan's Theory of Subject Presented in Bernard Shaw's Political Extravaganza
文章编号:
1672-612X(2019)07-0095-05
作者:
杜 鹃石晶晶
南通大学文学院,江苏南通 226019
Author(s):
DU JuanSHI Jingjing
School of Liberal Arts,Nantong University,Nantong,Jiangsu 226019
关键词:
萧伯纳 “政治狂想剧” 拉康主体理论
Keywords:
Benard Shaw political extravaganza subject theory
分类号:
I106.3
DOI:
10.16276/j.cnki.cn51-1670/g.2019.07.019
文献标志码:
A
摘要:
“政治狂想剧”《苹果车》《真相毕露》《日内瓦》是萧伯纳戏剧生涯巅峰时期的主要作品。萧伯纳以一种全新的戏剧样式深刻反映了经济大萧条和法西斯主义恶性发展时期西方世界危机四伏的社会现实和被扭曲的人生观念。深入阅读萧伯纳的“政治狂想剧”,可以发现拉康主体理论的影子。戏剧人物“想象”“欲望”“无意识”与拉康理论的契合,再次印证了萧伯纳戏剧的多义性。
Abstract:
A series of political extravaganza such as The Apple Car, Too True to be Good and Geneva were the main works of Bernard shaw at the peak of his theatrical career. Shaw profoundly reflects the dangerous social reality and distorted life concept in the western world during the great depression and the vicious development of fascism with a brand new dramatic style. According to deep analyzing on Bernard Shaw's political extravaganza, it could found the trace of Lacan's theory of subject. The "imagination", "desire" and "unconsciousness" about the characters in such drama were conforming to Lacan's theory. It conforms the equivocality of Bernard Shaw's drama.

参考文献/References:

[1] 萧伯纳.萧伯纳戏剧集(三)[M].老舍,方安,等译.北京:人民文学出版社,1956.
[2] 里徳.拉康[M].北京:文化艺术出版社,2003.
[3] 张一兵.不可能的存在之真:拉康哲学映像[M].北京:商务印书馆,2006.
[4] 黄汉平.拉康与后现代文化批评[J].暨南学报(哲学社会科学版),2005(4):125-129.
[5] BOWIE MALCOLM.Lacan[M].London:Fontana,1991.
[6] 纳塔莉·沙鸥.欲望伦理:拉康思想引论[M].郑天喆,等译.桂林:漓江出版社,2013.
[7] 拉康.拉康选集[M].褚孝泉,译.上海:三联书店,2001.
[8] SHAW BERNARD.Plays Political[M].London:Penguin Books,1986.
[9] GAHAN PETER.Shaw Shadows:Rereading the Texts of Bernard Shaw[M].Gainesville: University Press of Florida,2004.

相似文献/References:

[1]杜 鹃,曹蓝月.整体艺术视角下的萧伯纳“神秘剧”《康蒂妲》[J].绵阳师范学院学报,2016,(03):139.
 DU Juan,CAO Lanyue.A Study of Bernard Shaw's Candida:A Mystery from the Perspective of Gesamtkunstwerk[J].Journal of Mianyang Normal University,2016,(07):139.

备注/Memo

备注/Memo:
收稿日期:2019-03-25
基金项目:教育部人文社科规划基金项目“‘萧伯纳式'戏剧艺术对中国当代戏剧发展的启示”(14YJAZH015)。
第一作者简介:杜鹃(1964- ),女,江苏连云港人,教授,硕士生导师,研究方向:英国文学。
更新日期/Last Update: 2019-07-20