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[1]刘 连.凝视与旁观:电视镜头里的民国女画家——以潘玉良、孙多慈为例[J].绵阳师范学院学报,2019,(07):117-120+125.[doi:10.16276/j.cnki.cn51-1670/g.2019.07.023]
 LIU Lian.Gazing and Watching: Women Painters of the Republic of China in Television Shots:Take Pan Yuliang and Sun Duoci as examples[J].Journal of Mianyang Normal University,2019,(07):117-120+125.[doi:10.16276/j.cnki.cn51-1670/g.2019.07.023]
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2019年07期
页码:
117-120+125
栏目:
艺术研究
出版日期:
2019-07-20

文章信息/Info

Title:
Gazing and Watching: Women Painters of the Republic of China in Television Shots:Take Pan Yuliang and Sun Duoci as examples
文章编号:
1672-612X(2019)07-0117-04
作者:
刘 连
皖西学院艺术学院,安徽六安 237012
Author(s):
LIU Lian
School of Art, West Anhui College, Lu'an, Anhui 237012
关键词:
女画家 影视 人物形象
Keywords:
female painter film and television characters
分类号:
J96
DOI:
10.16276/j.cnki.cn51-1670/g.2019.07.023
文献标志码:
A
摘要:
作为当代文化传媒的主要载体,影视作品对主题的不同角度与侧重表达,能够充分展现时下大众的精神取向。而在为数不多的诠释民国女画家影视题材里,围绕女性职业化后存在的历史与现实,传统与现代的文化纠缠,尤为凸显了这批近代职业女性在中国近代社会转型中出现的多样发展型态的社会参照价值。
Abstract:
As the main carrier of contemporary cultural media, film and television works focus on different perspectives and expressions of themes, which can fully show the spiritual orientation of the current public. In the few film and television which with the theme of female painters of the Republic of China, the intertwined traditional and modern cultures around the history and reality of women's professionalization, especially highlight the social reference value of these modern professional women in the transformation of modern Chinese society.

参考文献/References:

[1] 牛卫红.失去的女性世界[J].当代文坛,2010(5):123.
[2] 黄华.权利,身体与自我:福柯与女性主义文学批评[M].北京:北京大学出版社,2005.
[3] 贾慧明.女性意识的觉醒[J].中华女子学院学报,2013(5):65.
[4] 约翰·汤林森.文化帝国主义[M].冯健三,译.上海:上海人民出版社,1999.

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备注/Memo

备注/Memo:
收稿日期:2019-04-12
基金项目:安徽省教育厅人文社会科学重点研究项目“民国时期皖籍油画家艺术活动及作品风格研究”(SK2014A427)。
作者简介:刘连(1971- ),男,安徽肥西人,副教授,硕士,研究方向:油画艺术。
更新日期/Last Update: 2019-07-20