|本期目录/Table of Contents|

[1]赵 林.符号学视域下电影《罗马》中的女性形象[J].绵阳师范学院学报,2020,(01):141-145+151.[doi:10.16276/j.cnki.cn51-1670/g.2020.01.026]
 ZHAO Lin.Female Figures in the Film Rome: From the Perspective of Semiotics[J].Journal of Mianyang Normal University,2020,(01):141-145+151.[doi:10.16276/j.cnki.cn51-1670/g.2020.01.026]
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符号学视域下电影《罗马》中的女性形象(PDF)
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《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2020年01期
页码:
141-145+151
栏目:
艺术研究
出版日期:
2020-01-15

文章信息/Info

Title:
Female Figures in the Film Rome: From the Perspective of Semiotics
文章编号:
1672-612X(2020)01-0141-05
作者:
赵 林
成都大学影视与动画学院,四川成都 610000
Author(s):
ZHAO Lin
School of Film, Television and Animation, Chengdu University, Chengdu, Sichuan 610106
关键词:
《罗马》 女性形象 符号学 父权制
Keywords:
Roma female image semiotics patriarchy
分类号:
J95
DOI:
10.16276/j.cnki.cn51-1670/g.2020.01.026
文献标志码:
A
摘要:
随着墨西哥的现代化发展进程,墨西哥女性的社会地位有了显著的提高,但仍有局限和不完整。墨西哥阶层分化现象明显,女性仍然备受父权制的压抑和身份设定的刻板桎梏。电影文本中的女性形象,呈现了墨西哥女性最真实的生存状态与最典型的时代症候——为了自身的独立和权利不断地与父权制社会做抗争。本文以符号学为理论工具,通过对墨西哥影片《罗马》中克里奥、索菲亚和奶奶这三位具有代表性的女性形象的细致解读,展示出不同社会阶层女性的爱与信仰、独立与坚韧等复合性形象特质,以及对传统刻板印象的新变、对自我独立意识的觉醒和对父权制的抗争。
Abstract:
with the process of modernization in Mexico, the social status of Mexican women has been significantly improved, but there are still limitations and incompleteness. The phenomenon of stratification in Mexico is obvious, and women are still constrained by patriarchy and stereotyped shackles of identity setting. In the film text, the image of women presents the most real living state and the most typical symptoms of the times of Mexican women, who constantly struggle with patriarchal society for their own independence and rights. With semiotics as a theoretical tool, this paper, through a detailed interpretation of the three representative female images of Cleo, Sophia and grandma in the Mexican film Rome, shows the complex image characteristics of women of different social classes, such as love and faith, independence and tenacity, as well as the new changes of traditional stereotype, the awakening of self-awareness of independence and the struggle against patriarchy.

参考文献/References:

[1] 郭培筠.西方女性主义电影理论述评[J].内蒙古民族大学学报,2003(5):33.
[2] 严红兰.女性主义电影理论的三种批评模式[J].江西教育学院学报,2011(5):131.
[3] 孙燕.女性形象的诞生[D].郑州:郑州大学,2003.
[4] 詹才女.电影与何去何从的女性主义[J].电影文学,2009(22):19-21.
[5] 西蒙娜·德·波伏娃.第二性[M].陶铁柱,译.北京:中国书籍出版社,1998.

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备注/Memo

备注/Memo:
收稿日期:2019-09-20
作者简介:赵林(1994- ),女,四川德阳人,硕士研究生,研究方向:影视文化、广电艺术。
更新日期/Last Update: 2020-01-15