|本期目录/Table of Contents|

[1]柴 鲜.文学视角下的记忆与叙事[J].绵阳师范学院学报,2020,(09):15-22.[doi:10.16276/j.cnki.cn51-1670/g.2020.09.003]
 CHAI Xian.Memory and Narration from the Perspective of Literature[J].Journal of Mianyang Normal University,2020,(09):15-22.[doi:10.16276/j.cnki.cn51-1670/g.2020.09.003]
点击复制

文学视角下的记忆与叙事(PDF)
分享到:

《绵阳师范学院学报》[ISSN:1672-612X/CN:51-1670/G]

卷:
期数:
2020年09期
页码:
15-22
栏目:
叙述学研究
出版日期:
2020-09-25

文章信息/Info

Title:
Memory and Narration from the Perspective of Literature
文章编号:
1672-612X(2020)09-0015-08
作者:
柴 鲜
信阳师范学院文学院,河南信阳 464000
Author(s):
CHAI Xian
College of Liberal Arts, Xinyang Normal University, Xinyang, Henan 464000
关键词:
个体书写 记忆媒介 叙事
Keywords:
individual writing memory medium narration
分类号:
I207
DOI:
10.16276/j.cnki.cn51-1670/g.2020.09.003
文献标志码:
A
摘要:
从口传文学作品的产生看,诗人/作者的作品带有明显的记忆功能。文学作品出现的动机是源自一种对过往记忆痕迹的保存,是人类生命对时间和遗忘的本能反抗。史传文学和自传体文学是记忆叙事特征最为明显的两类文学作品,也影响了以“创伤记忆”叙事为代表的宏观批评视角和以自传体批评为代表的个体批评视角。具体来说,叙事和记忆在文学文本中的交汇涉及三个共同的基本元素:一是时间,二是空间,三是行为个体(包括叙述者或记忆主体,接受者)。因此,文学作品中的个人化记忆叙事,也是个人记忆与集体记忆、模仿记忆的叙事与成为记忆的叙事彼此之间相互交流的建构过程。
Abstract:
The poet/author's works have obvious memory function from the perspective of the oral literature producing. Literary works are motivated by the preservation of the traces of past memory and the instinctive resistance of human life to time and oblivion. Historical biography literature and autobiographical literature are the two literature works with the most obvious characteristics of memory narrative, which also influence the macroscopic critical perspective represented by traumatic memory narrative and the individual critical perspective represented by autobiographical criticism. Specifically, the intersection of narrative and memory in literary texts involves three common basic elements: the first is time, the second is space, and the third is behavioral individual(including narrator or memory subject, receiver). Therefore, the narrative of individual memory in literary works is also the construction process of the mutual communication between individual memory and collective memory, the narrative that imitates memory and the narrative that becomes memory.

参考文献/References:

[1] 海登?怀特. 形式的内容:叙事话语与历史再现[M].董立河,译. 北京:文津出版社,2005.
[2] 罗书华. 中国叙事之学:结构、历史与比较的维度[M].北京:中国社会科学出版社,2008.
[3] 阿莱达?阿斯曼.回忆空间:文化记忆的形式和变迁[M].潘璐,译.北京:北京大学出版社,2016.
[4] 荷马.伊利亚特[M].罗念生,王焕生,译,北京:人民文学出版社,1994.
[5] ABRAMS M H,HARPHAM G G. A Glossary of Literary Terms[M].Shanghai: Foreign Language Teaching and Research Press, 2010.
[6] 莫里斯?哈布瓦赫.论集体记忆[M].毕然,郭金华,译.上海:上海书店出版社,2002.
[7] 骆冬青.文化记忆与存在感受[J].文艺争鸣,2001(1):47-50.
[8] DONALD M M. All Writing Is Autobiography[J].College Composition and Communication, 1991,42(1):66-74.
[9] ROBYN FIVUSH,KATHERINE NELSON.Culture and Language in the Emergence of Autobiographical Memory[J].Psychological Science,2004,15(9):573-577.
[10] ASTRID ERLL.Memory in Culture[M].New York:Palgrave Macmillan, 2011.
[11] ASTRID ERLL, ANN RIGNEY.Literature and the Production of Culture Memory[J].European Journal of English Studies, 2006,10(2):111-115.
[12] 张万敏. 认知叙事研究:以鲍特鲁西和迪克森的“心理叙事学”为例[M].北京:中国社会科学出版社,2012.
[13] 米切尔?巴斯勒,多罗塞?贝克.回忆的模仿[C]//埃尔,冯亚琳.文化记忆理论读本.甄飞,译.北京:北京大学出版社,2012.
[14] 热拉尔?热奈特. 叙事话语?新叙事话语[M].王文融,译.北京:中国社会科学出版社,1990.
[15] 丹尼尔?夏克特.找寻逝去的自我:大脑、心灵和往事的记忆[M].高申春,译.长春:吉林人民出版社,1998.
[16] 米克?巴尔.叙述学:叙事学理论导论[M].第二版.谭君强,译.北京:中国社会科学出版社,2003.
[17] 米德.现在的哲学[M].李猛,译.上海:上海人民出版社,2003.

相似文献/References:

备注/Memo

备注/Memo:
收稿日期:2020-04-28
基金项目:信阳师范学院“南湖学者”青年项目。
作者简介:柴鲜(1981- ),女,陕西汉中人,讲师,博士,研究方向:西方文学及叙事学研究。
更新日期/Last Update: 2020-09-25